Andrew Hewitt
bafta nominated composer, los angeles
Score Reviews
Composer Andrew Hewitt's score may be the grand, orchestral version of whatever emanates from the music box trinket on Constance's vanity
Variety (We Have Always Lived In The Castle)
Andrew Hewitt provides a beautiful score
Followingfilms (Crooked Somebody)
Featuring a pulse-pounding score by Andrew Hewitt
Marketscreener (Crooked Somebody)
The strongest influence here is the spaghetti western, and that sauce is seasoned with homages to Sergio Leone by composer Andrew Hewitt
Screendaily (Mojave)
Winner: Best Comedy Score of the Year
Reel Music Awards (Bill)
Favourite Darkplace moments - a thrilling chase accompanied by a period-appropriate synth frenzy, courtesy of Bafta Nominated Andrew Hewitt
Den of Geek (Garth Marenghi's Darkplace)
The Sea
Andrew Hewitt's elegant score, graced with a number of arrestingly mournful solos by violin virtuoso Hilary Hahn
Variety
Another major player here is Andrew Hewitt's watchful and tentative modern score, promising a chilly revelation
Hollywood Reporter
The film, with a haunting score by Andrew Hewitt, moves gracefully between periods in its protagonist's life and captures his sense of yearning and loss
The Independent
Submarine
Oliver, unlike Rushmore's ever-perky Max Fischer, carries a droopier, less extroverted screen presence - a sensibility matched by Andrew Hewitt's moody music
Variety
Composer Andrew Hewitt contributes a fetchingly dead-on pastiche of Georges Delerue's scores for Godard and Truffaut
The Independent
a beautiful score, from Andrew Hewitt
Collider
The Stanford Prison Experiment
The excellent music by Andrew Hewitt (The Double, The Brass Teapot) incorporates a metronomic ticking on occasion, as if God were watching events with one eye on some cosmic stopwatch and making notes for Himself
The Wrap
Andrew Hewitt's score, churning and ominous, adds a jolt of momentum that keeps proceedings becoming as clinical as the context might demand
Variety
Prepare for dread: the mounting tension
is complimented by Andrew Hewitt's pulsing, ominous score
Irishtimes
Some of the best features were courtesy of composer Andrew Hewitt, who layered the movie with pulsing and haunting basslines,
mixed with abrupt and deafening silences
Acrn
Ably assisted by Andrew Hewitt's minimalist score
Radio Times
The Double
The film is a distinct pleasure... the score by Andrew Hewitt is one of the best we've heard in a while. A joy to watch... propelled by a great score
Indiewire
a crack creative team that includes
composer Andrew Hewitt's haunting score
LA Times
operatically amped up by
Andrew Hewitt's thunderous orchestral score
Variety
Cuckoo
Andrew Hewitt's emotional music score is beautifully understated and atmospheric, a perfect accompaniment to the eeriness of the surroundings and a perfect reflection of Polly's fraught state of mind
Den of Geek
a top-notch strings-only score (with an emphasis on cello) ticks all the boxes for a great listening experience, this is one of Movie Score Media's brightest hidden stars, and I recommend you take a listen to this inventive score.
Maintitles
Clearly one of the year's most stylistically coherent film scores, building most of its mesmerizing underscoring on the simple two note motif - ingeniously based on the bird's call. An impressive lesson in how to construct a truly effective film score
Screen Archives Entertainment